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Tasavvur

Word Count: 4350 | Reading Time: 15 min

In Mumbai, space is a currency more valuable than the rupee, and far harder to hoard. It is a city that demands your physical boundaries as a toll for simply existing within its limits. During the day, you are not a person; you are a ghost in a machine of flesh, a microscopic gear turning in the relentless engine of the metropolis.

To live in the city is to be constantly touched but never truly seen.

The morning Fast Local didn’t just board passengers; it swallowed you whole; digested you in a belly of rusted steel, being pressed so tightly against the damp, salt-stained clothes of strangers that you could even feel the irregular beating of their hearts.

For Ananya, the morning commute wasn’t a journey. It was a daily localised war.

She stood pinned between the rigid plastic of a seat edge and the damp back of a fisher woman smelling fiercely of Bombay duck and dried salt. The train lurched violently as it pulled out of the station. Five million people moved through Mumbai’s arteries every morning, and right now, Ananya felt their sharp elbows and canvas backpacks digging into her body. There was no space to fall, no room to faint. If you lost consciousness in the second-class ladies’ compartment,  the crowd held you upright until Churchgate; there was simply nowhere for your body to fall.

Ananya breathed in shallow sips through her mouth. She kept her eyes fixed on the peeling advertisement for a spoken English class pasted above the door. She survived by dissociating, allowing her mind to detach from the bruised meat of her body, leaving it behind to absorb the shoving, the tinny screech of mobile phone speakers, and the deafening clatter of steel wheels on iron tracks.

By the time she reached her desk at Apex Data Solutions, the numbness had fully set in. She felt entirely erased, a smudge of charcoal on a grey canvas that no one bothered to look at.

Her life was measured in keystrokes—the frantic meaningless percussion of a workday—and the ticking of a cheap wall clock that seemed to move slower when the sun was up. The fluorescent light of the office was an anchor dragging her through the mud of her daily boredom.

Every day she would think how she was a daughter who spoke only when spoken to, a worker who never missed a deadline but also was never commended for it. She was, at the end of the day, just another nameless face in the crowd.

Mr. Shenoy, her floor manager, paced the narrow aisles between laminated desks like a bored zookeeper.

“Target is four hundred entries by lunch, Ananya,” Shenoy barked, pausing behind her chair. She could hear the wet, clicking sound he made with his tongue when he was displeased. “You were short yesterday. We don’t pay you to stare at the screen.”

“Yes, sir,” she murmured, her voice entirely flat. She didn’t bother explaining that the server had crashed for an hour yesterday. Explanations were a luxury for people who had leverage. She had none.

Her life (she had realised, after joining Apex) was also an exercise in waiting, always waiting. At work, she waited for the clock to strike 6:00pm so Shenoy would leave, and she could catch up on her work without Shenoy’s predatory micromanagement.

But more importantly she was waiting for the clock to strike 10:00pm so she could finally exist in the margins of the city, where the light was dim enough to hide in.

Compared to her morning commute, the 10:30pm slow train from Churchgate was different. It was a completely different dimension. To Ananya, the near-vacant carriage felt like the city was finally apologising for the day’s brutality. The emptiness was a sanctuary.

The air was cooler here, cutting through the daytime humidity and carrying the faint, salty tang of the Arabian Sea rather than the stagnant breath of exhausted crowds. It was a liminal space where the laws of the waking world could not reach her: The impossible expectations of her floor manager; the stifling, cowardly silence of her mother; and the long, terrifying, booze-soaked shadow of her father were all locked outside the steel walls. The ceiling fans whirred overhead like the wings of tired, prehistoric birds, and for forty-five minutes of transit, suspended between the city and the suburbs, she belonged only to her thoughts.

When Ananya unlocked the thin plywood door of their one-room chawl, the smell of cheap Old Monk rum and frying onions hit her like a physical blow.

Her father, Ramesh, sat in a plastic chair facing the small box television, the screen casting a flickering, sickly blue light over his face. He didn’t look up when she entered. He didn’t need to. He commanded the gravity of the room just by breathing. Her mother, Sunita, stood by the kerosene stove, her back rigidly turned to the room, frantically stirring a pot of yellow dal.

“You’re late,” Ramesh said. The words were slightly slurred, heavy with the promise of violence.

“I got late finishing work again, Shenoy added more work for me when he left, and even the train was delayed at Bandra,” Ananya lied smoothly, slipping her sandals off. The truth—that she had walked around the complex three times just to further delay walking into this room—was something she would take to her grave.

“Finishing work… Train delayed,” he mocked, finally turning to look at her. His eyes were bloodshot, the whites yellowing like old parchment. “Or maybe you were walking with some boy. Wasting the money I feed you with.”

“No, Baba.”

“Serve me,” he commanded, gesturing to his empty steel plate.

Ananya moved mechanically. She took the ladle from her mother, whose hands were trembling so violently the metal rattled against the pot. Sunita didn’t meet her daughter’s eyes. It was the unspoken pact of their survival: look away, stay quiet, weather the storm. Ananya poured the dal over a mound of rice and placed it on the small folding table before him.

Ramesh took one bite. He chewed slowly, his jaw working with deliberate menace. Then, without a word, he swept his arm across the table.

The steel plate flew, clattering loudly against the opposite wall. Yellow dal splattered across the peeling paint and dripped onto Ananya’s feet. The rice scattered like maggots across the floor.

“Too much salt,” Ramesh whispered. He stood up, the plastic chair scraping horribly against the floor. “You think because you bring home a few rupees typing on a machine, you and your no good of a mother can feed me garbage and that too in my own house?”

“I’m sorry, Baba,” Ananya said, dropping to her knees immediately to clean it up. It was the fastest way to de-escalate. Submit. Shrink. Wait for him to focus on the T.V.

But tonight, the rum had ignited a different kind of fury. He grabbed a fistful of her hair, yanking her head back. Pain flared hot and white across her scalp.

“You look at me when I speak to you,” he spat, his saliva hitting her cheek. He struck her with a closed fist. The sound of his knuckles hitting her jaw was loud in the small room. Ananya fell sideways, her vision blurring, a high-pitched ringing filled her left ear. She tasted blood.

“Clean it up,” he said, stepping over her to grab his bottle. “And then get out of my sight.”

***

It wasn’t always like that, when Ananya was seven, she used to wait eagerly every evening for her Baba to return from the factory. Playing with him till it was time for bed was the best part of every day.

When the factory started lay-offs, her father was one of the first.  Initially he wasn’t worried… there were lots of factories in the city, but they were all either shutting down or shifting manufacturing units to other states.

He couldn’t find employment and began taking up odd errands. It wasn’t long before he found more men like him—factory workers with no prospect—and while misery does love company, it often finds that companionship in cheap liquor. Once that began, he was never the same.

***

Next evening at 9:00pm, Ananya decided to wait till 1:00am and then catch the last train home. As she sat at a near empty platform, she caressed the left side of her face, she could feel a dull pang of pain and fear. She wasn’t sure if he would be awake waiting for her, or passed out.

When the slow train finally pulled in, it was nearly empty. She boarded the ladies’ compartment and sat down, leaning her bruised head against the cool, window glass.

That was the first night she really noticed her.

A woman sat in the far corner. The rushing wind whipped her dark, unruly hair around her face, but she didn’t seem to notice. She was dressed in a simple, impeccably clean white cotton kurta. In a city where everything was covered in a fine layer of grime, her cleanliness was the first thing that felt unnatural.

The second thing was her stillness.

Commuters on the last local were usually exhausted, slumping, snoring, or nervously clutching their bags. This woman sat with the alertness of a leopard resting in the high branches of a tree. She had a book open on her lap, but in the forty minutes Ananya watched her through the reflection in the window, she never once turned a page.

Over the next three weeks, a strange, silent ritual developed between them. Every night, Ananya would board the 1:30am train. Every night, the woman in white would be sitting in the exact same corner.

Ananya, starved for anything resembling tenderness, began to build a fantasy in the quiet theatre of her mind. She gave the woman a name: Maya. An illusion. A beautiful dream to counteract the nightmare of her waking life.

She didn’t imagine conversation; she didn’t know how to talk to people without apologising. Instead, she imagined the soft, mundane magic of safety. As the train rattled past the skeletal silhouettes of unfinished high-rises in Bandra, Ananya closed her eyes and built a world. She imagined a kitchen with bright yellow tiles where plates were never thrown. She imagined the sharp, sweet scent of ginger tea brewing on a stove. She imagined walking through the monsoon rain under a single, frayed black umbrella, Maya’s shoulder brushing warmly against hers.

In her mind, Maya was a lighthouse. A quiet guardian who required nothing from Ananya but her mere presence. It was a pathetic, desperate coping mechanism, but it kept Ananya from throwing herself onto the tracks.

She had no idea that Maya was listening.

***

Then, for the first time in months, when Ananya boarded the last local, the corner seat was empty. And it stayed that way for the next three nights.

For Ananya, those three nights were a rapid descent back into hell. Without the lighthouse of Maya’s quiet presence to anchor her, the darkness at home felt absolute.

It was a Thursday when the breaking point arrived.

Ananya’s mother had asked her to come home early to celebrate her birthday.

When she walked in that evening, her old winter coat—which she kept stuffed at the bottom of her trunk, and in the lining of which she’d hidden two thousand rupees—was lying shredded on the floor.

Ramesh stood in the centre of the room, the money gripped in his fist. He wasn’t drunk tonight. He was entirely sober, and his eyes were cold.

“Stealing from me,” he stated. It wasn’t a question.

“Baba, please, it was from my overtime—”

He didn’t yell. He simply walked forward and slapped her first, and then kicked her in the stomach with his heavy, square-toed leather shoes. Ananya crumpled instantly, the air exploding from her lungs. She hit the floor, curling into a tight ball, gasping silently like a landed fish.

“You think you can leave?” he whispered, crouching down beside her. He grabbed her jaw, his thick fingers digging into the flesh right where the old yellow bruise was just beginning to fade. “You are my blood. You belong to me until I say you don’t. You will never leave this home.”

She knew it was a pathetic sum, something she was trying to save to run away, but in the end it was hers.

He stood up, pocketed the money, and walked out to buy his rum. Sunita stayed by the window, staring blankly out at the street.

It took Ananya twenty minutes to find the breath to stand. Her ribs screamed with a sharp, grating pain with every movement. Something inside was definitely broken. She wrapped her thin cotton dupatta tightly around her torso, binding the ribs, and staggered out of the chawl. She didn’t know where she was going. She just walked until she found herself on the Malad platform at 12:30am.

When she boarded the train, she slumped onto the hard plastic seat and finally began to cry. The tears were silent, hot, and humiliating. She felt like a glass ornament that had been dropped once too often. The internal fractures had finally given way.

Suddenly, the stagnant, humid air in the carriage grew colder. The rhythmic clacking of the train seemed to mute itself, swallowed by a heavy, unnatural silence.

“You’re bleeding inside.”

The voice was hypnotic.

Ananya gasped, clutching her ribs. Maya was sitting directly across from her. She hadn’t seen her board. Up close, Maya’s skin had the iridescent pallor of moonlight, and her eyes were a polished, terrifying amber. 

“I… I’m fine,” Ananya whispered instinctively, pulling her dupatta closer to hide her face.

“Don’t lie to me,” Maya said softly, leaning forward. The temperature in the carriage dropped some more. Ananya could see the absolute lack of pores on Maya’s marmoreal skin. “I can hear the music in your head, Ananya. I know every note of it. But tonight, it sounds like a funeral procession. It sounds like you are looking at the open door of this train and calculating the physics of a fall.”

  Ananya froze. A spike of pure terror pierced through the pain in her chest. “How do you know my name? We’ve never spoken.”  

“I know the names you give things in your mind,” Maya said. Her amber eyes locked onto Ananya’s, pinning her in place. “I know the ginger tea. I know the frayed black umbrella. I know the yellow-tiled kitchen. I have been living in the garden you built for me in your head, Ananya. It is the only beautiful place I have visited in a very long time.”  

  Ananya’s breath hitched. The violation of her deepest privacy was absolute. Yet, sitting here with her broken ribs and shattered life, the idea that someone had actually heard her was overwhelmingly intoxicating. She wasn’t invisible anymore.

“But I also know the man who put that crack in your bone,” Maya continued, her voice hardening into something sharp and metallic. “I can feel his hands on your thoughts. He is polluting my garden.”

“Who are you?” Ananya sobbed, the tears flowing freely now. “What are you?”

“I am the answer to a prayer you didn’t know you were allowed to make.” Maya reached out slowly. Her fingers were shockingly cold, as cold as ice left out in the winter rain. They gently grazed the fresh bruise on Ananya’s jaw. 

Ananya flinched at the proximity, but then, inexplicably, leaned into the touch. The coldness seeped into her skin, instantly numbing the throbbing pain, replacing it with a strange, narcotic calm.

“I can’t escape him,” Ananya whispered, the defeat total and crushing. “The police know him. They don’t care. He says blood is the only bond that matters. That it gives him the right to own me.”

Maya’s smile was small, deeply sad, and incredibly beautiful. It was the smile of a perfectly forged blade that knows exactly where it’s going to strike.

“Blood is a bond. That is true,” Maya murmured, her thumb tracing the line of Ananya’s jaw. “But it is also a scent. When I touch you, I taste it. I taste his lineage in you. And I am very, very good at tracking a scent.”

Ananya looked deep into those glowing amber eyes and saw the terrifying truth. She saw something ancient, endlessly hungry, and utterly devoid of human mercy. Every instinct born of human evolution screamed at her to run, to pull the emergency chain, to scream. But the deep, agonising pain in her ribs and the memory of her father’s cold eyes were stronger.

“What will you do?” Ananya asked. The question hung in the freezing air.

“I will be the beast… he thinks he is,” Maya said softly, standing up. “I will show him that there are things in the dark much older, much hungrier, and much more patient than his petty human anger.”

The train began to slow, as it approached Borivali. Maya moved to the open doorway, her movements fluid and impossibly graceful, defying the lurching momentum of the carriage. Before stepping off into the dark, she looked back.  

“See me tomorrow, Ananya. The music will be better then.”  

She stepped out into the night—while the train was still a few hundred meters from the station—simply vanishing into the shadows of the passing pillars.

***

To her, the city of Mumbai was an endless, agonising wall of noise. Ever since the creature in the deep woods of the Ghats had torn her throat open in 1842, infecting her with its immortal venom, she had been listening to the noise. Human thoughts were rarely silent. They were a swamp of petty grievances, simmering greed; and above all a red-hot pulse of predatory lust. She often wondered if she could read the mind of the villagers—who she believed to be friends—would she have ended up in the jungle as a sacrifice. The creature devoured those men in front of her, and left her with this curse…

She spent her nights stalking the tracks, hunting the men whose minds screamed with the desire to hurt. She was a protector, feeding exclusively on the poison of such lowly predators.

It was a lonely, blood-soaked existence.

Then she heard Ananya.

Amidst the screaming minds of the metropolis, Ananya’s mind didn’t scream. It hummed. To her, the taste of Ananya’s imagination was like fresh water in the middle of a desert. It was a soft melody of pure innocence and desperate hope. It had been so long since anyone knew her name, but she found beauty in the name that Ananya gave her.

One night, as the train passed through Andheri, Ananya vividly imagined Maya reaching out to tuck a stray strand of hair behind her bruised ear. Across the carriage, Maya actually flinched. She felt a phantom heat against her cold fingertips, a sensation she hadn’t known in almost hundred-eighty years. It paralysed her. She realised the girl wasn’t just daydreaming; she was unknowingly broadcasting an anchor into Maya’s isolated, monstrous soul.

Maya didn’t want to lose Ananya’s , nor did she want Ananya to see her true self. The next night she boarded the train, but she sat on the roof. She could feel Ananya’s sadness grow looking towards her unoccupied seat. 

***

The next day was a waking nightmare masked in mundane routine. Ananya worked in a total haze of dread, her fingers typing data on autopilot while her skin crawled with anticipation. Every time her desk phone rang, she jumped.

As 9:00 PM approached—the hour her father usually began his nightly reign of terror, demanding his food and his alcohol—she felt a cold sweat break out across her back.

As she walked towards her chawl from the station, her heart was pounding a frantic rhythm against her bruised ribs. Her feet felt like lead. She expected the familiar, booming sound of his shouting to echo down the concrete stairwell, expected the smell of fear to hit her before she even opened the door. But as she reached the rusted iron gate of her chawl, the silence was deafening.

A small crowd of neighbours had gathered near the staircase, speaking in hushed, frightened whispers. It was then she registered the two police jeeps that were parked haphazardly on the opposite side of the street, their red and blue lights spinning lazily, painting the dilapidated walls in bruised colours.

Mrs. Kulkarni, their next-door neighbour, spotted Ananya and rushed forward, her face as white as chalk. She grabbed Ananya’s arm.

“Don’t go up, child. Stay here,” the older woman gasped, her hands trembling violently.

“What happened?” Ananya asked. Her voice sounded hollow, distant to her own ears.

“It’s your father. Something… God, something got into the house.”

“A robbery?” Ananya feigned, her heart doing a slow, terrifying roll in her chest.

“No. No, the door was bolted from the inside. Your mother had gone down to the market to buy milk.” Mrs. Kulkarni lowered her voice to a terrified whisper. “The police are saying a leopard must have come down from the National Park. Driven mad by hunger. It… it entered through the kitchen window, Ananya.”

Ananya stared at the spinning police lights. “And Baba?”

Mrs. Kulkarni covered her mouth, stifling a sob. “His throat, Ananya. The inspector said there wasn’t even a struggle. He didn’t have time to scream. It just… tore it away. There is so much blood on the ceiling.”

Ananya’s fingers went numb. The cheap plastic bag she was carrying dropped to the pavement. She didn’t cry. She didn’t fall to her knees in grief. Instead, she felt a soaring sense of weightlessness. The gravity that had held her down her entire life had suddenly been switched off.

She thought of Maya’s cold fingers on her jaw, and a shudder of dark, terrible thrill rippled down her spine. The realisation horrified her—she was more frightened of the absolute ecstasy of her freedom than she was of the violent, grisly nature of his death.

She didn’t go up the stairs. She couldn’t act the part of the grieving daughter tonight. She turned around and walked back out into the city. She walked for hours, drifting through the crowded streets, invisible in the throng, until the city finally began to quiet down.

At 12:30 AM, she was back on the platform.

She needed the rhythmic clatter of the tracks. She needed to sit in the carriage alone to help her process the terrifying price of her new life.

She boarded the empty train and sat in her usual spot. As the train pulled out, rattling through the dark, she stared at her reflection in the glass. The bruise on her jaw was still there, but the eyes looking back at her were fundamentally changed. They were no longer the eyes of a girl afraid to live.

The train slowed down as it approached an abandoned, derelict station just past Borivali. The platform was entirely dark, save for a single, flickering fluorescent tube light.

Ananya looked out and pressed her face flat against the cold grill.

Standing motionless in the deep shadows of a concrete pillar was Maya.

She was wearing the exact same white cotton kurta, but it was no longer pristine. It was saturated at the collar and hem with something thick, wet, and black in the dim light. The flickering tube light hit Maya’s face for a fraction of a second.

Her mouth and chin were stained a glossy, wet crimson. The blood stood out starkly against her pale skin. As the train ground against the tracks, creeping past her, Maya looked directly at Ananya and bared her teeth in a slow smile.

Ananya finally saw the truth of her. There were long ivory fangs, sharp and lethal, curved specifically to tear.

Maya’s amber eyes glowed intensely in the dark.

‘You are mine now,’ the voice echoed clearly in Ananya’s head, loud and resonant over the screeching train. ‘I have cleared the space for us.’

Ananya slumped into the hard plastic seat as the train began to accelerate. She looked down at her hands. They were shaking. The gentle life she had so desperately imagined—the shared ginger tea, the quiet monsoon walks—had not been granted by grace. It had been bought and paid for with a predator’s brutal kill.

Ananya closed her eyes, her breathing ragged. She intentionally tried to conjure the soothing image of the monsoon umbrella. The thought came quickly. But this time, the heavy rain in her mind didn’t smell like wet earth.

It smelled of warm blood and salt.

The last local rattled on through the sleeping city, carrying a fractured girl and the ghost of her bloody saviour deeper into the night. 

Ananya realised something about Mumbai: space is never free. It is never simply given. It can only ever be violently claimed. Her safety wasn’t a peaceful lack of danger; it was simply the act of having the bigger, more terrifying monster standing by her side. For once, she wasn’t afraid to face the world. She finally had someone who needed her, and who was willing to take care of her. She smiled, as she began to daydream about making chai in their shared yellow-tiled kitchen. 

***

Dr. Suvajeet Duttagupta, a nanotechnology PhD from IIT Bombay, embarked on an unexpected journey into the world of art. He’s recently found the confidence to send out his distinctive horror-adjacent stories to collect rejections and other badge of honours. His work has appeared in various online magazines as well as multiple print anthologies.

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